Label: Jazzwerkstatt - jw097 • Format: CD Album • Country: Germany • Genre: Jazz • Style: Free Jazz, Contemporary Jazz, Free Improvisation, Poetry
Welcome to popular Памятай - Віктор Павлік - Шикидим site IsraBox! On IsraBox you can listen music for review Schälkchen Auf Meinen Lippen - Sven-Åke Johansson - Für Paul Klee also you can download music albums. We present new, exclusive music and the hot hits for information.
Have fun and enjoy the use of our website. IsraBox - Music is Life! Tracklist : 1. In Einem Zimmer Gefangen 2. Ich Muss Mr. Dynamite (Original) - Zeebra - Mr.
Dynamite Sein 4. Bin Ich Gott? Wahre Ankedoten 9. Romantische Attacken? He went to Munich to study design and art and not music. But that decision was not enough to eliminate music from his life. On the contrary, it remained an important inspiration for him.
Many of his pictures can be traced back directly to a musical background or an Schälkchen Auf Meinen Lippen - Sven-Åke Johansson - Für Paul Klee impression.
What, though, was Klee's relationship to poetry and language? Much has been made of the ingenious titles with which he added additional layers of meaning to his pictures. But Klee also flirted with the art of poetry, and his journal entries around the turn of the century often mention the option of becoming a writer.
Klee wrote poetry virtually throughout his life, but always kept the existence of these texts a secret. The poems, which were published posthumously by Paul Klee's son, were written down in various journal entries and a small blue exercise book, which contained both lyrical fragments and complete, revised poems and which was only found after Klee's death in His thirteen settings capture precisely this quality of the texts one could almost say that the relationship between words and music manifests itself in these qualities.
What Johansson has done is not so much to set Klee's poems to music as to enrich them with music. One crucial factor in Johansson's settings of these texts is that he did not have to invent a new language of sound, but that he captures the essence of the texts with his musical tools acquired over a period of decades. And of course the lion's share of the expressive possibilities used in these settings goes to free jazz and free improvisation, because it is here that the Utbrott - Det Mörka Halvåret in the ensemble can explore their affinities to the full.
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