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Deep Shit - The Elektrocution - Vagina Dentata - A Trip To The Depths Of The Unknown


2003
Label: Emergence - EMERGENCE011 • Format: CD Mini-Album, Mini Digipak • Country: France • Genre: Rock • Style: Garage Rock
Download Deep Shit - The Elektrocution - Vagina Dentata - A Trip To The Depths Of The Unknown

Indeed, both Weiningers Nacht aka Weininger's Last Night directed by Austrian actor and sometimes Black Death (French Concept) - :wumpscut: - Dried Blood Of Gomorrha Paulus Manker Schmutz aka DirtDer Kopf des Mohren aka The Moor's Head and The Sex of Self-Hatred directed by Canadian experimental filmmaker Solomon Nagler Gravity and GraceBlack Salt Water Elegy not only happen to be about the great self-exterminating antisemitic semite and the somewhat shadowy circumstances surrounding his suicide, but also are indubitably two of the most intriguing films ever made about a philosopher, but then again it takes a particularly preternatural artist to even consider directing a film about such an infamous, albeit largely forgotten, figure who is undoubtedly the antithesis of the archetypal Hollywood hero.

After all, the last thing the Jewish studio heads and producers in Tinseltown want to do is make a film about Sunglasses At Night - Rob Gee - The Great American Melting insanely impenetrable self-hating Israelite that argued that most Jews males are soulless pansies that think and act like lecherous neurotic women, but I digress.

Certainly, of the two films, Nagler's is the most overtly and hermetically Hebraic, but such is to be expected from a Jewish auteur that has made a number of films with strong Jewish themes. If nature wanted the Jew to be the ferment that causes peoples to decay, thus providing these peoples with an opportunity for a healthy reaction, in that case people like St.

Paul and Trotsky are, from our point of view, the most valuable. By the fact of their presence, they provoke the defensive reaction of the attacked organism. Dietrich Eckart once told me that in all his life he had known just one good Jew: Otto Weininger, who killed himself on the day when he realized that the Jew lives upon the decay of peoples.

In fact, the exquisitely ethno-masochistic philosopher even converted to Protestantism about a year before his suicide in what seemed like a failed last ditch effort to shed his inner Jew and become a noble Christian Aryan. When he had delivered the message of his soul, he could no longer remain among the living. A true martyr of modernity who argued that men—be they Jew or Aryan—should completely emancipate themselves from the spiritual plagues of Judaism and femaleness, Weininger might be described as the purest and most authentic of philosophers Dont Look Back Orpheus - The Goastt* - Midnight Sun it can be easily argued that his suicide was merely an full-fledged execution of his philosophy.

Indeed, quite unlike the countless culturally corrosive Judaic thinkers ranging from Marx to Derrida to Adorno that have contaminated the Occident with carefully calculated deceptions, pathological anti-European iconoclasm, culture-distorting, and asininely abstract word games, Weininger actually believed what he wrote, hence his tragic yet seemingly inevitable fate. Needless to say, both of the films about Weininger are rather dark and forlorn as cinematic works that quite predictably conclude with the protagonist killing himself, but the most recent, Nagler's The Sex of Self-Hatredis easily Avientame - Various - Amores Perros (Soundtrack From The Motion Picture) (File) most eerie and ethereally esoteric, as if the director was attempting to assemble a neo-Expressionist obituary to be played on a loop at the philosopher's graveside so that people might be able understand why a young Jewish bachelor with a very potentially intellectually prodigious career ahead of him decided to off himself while he was at the height of his intellectual prowess.

Like a humorless Hebrew Guy Maddin or an all the more macabre Judaic Deco Dawson, Nagler is a Canadian experimental filmmaker that seems to reject most modern filmmaking technology and techniques Calla Millor - Mikołaj Hertel - Plaże instead uses archaic and anachronistic filmmaking methods that make it seemingly possible to tell when his films were actually made.

Thankfully, Nagler's quixotically quaint cinematic techniques are put to rather effective use in The Sex of Self-Hatred which, at least in my less than humble opinion, is easily the director's most accomplished and immaculate film to date.

Indeed, to the film's Untitled - Sunhill Project - Summer Session 2013 credit, one can almost delude themselves into believing that it was actually made inwith the actor playing Weininger even bearing a strikingly resemblance to the in famous self-loathing Jew who developed the theory that Jewishness and femininity were one and the same.

Like Manker's Weininger flick, Nagler's film alludes to the philosopher's rather intricate form of self-hatred by featuring a post-suicide drag king Weininger. One may wonder how he knew so much about women. Why did he hate them so? How did he know so much about Jews, and why did he hate them so? The answer can be elicited from Weininger's thoughts, though not from his own words.

He hated women and Jews because he was a woman and a Jew. He adored Aryan masculinity because he probably lacked that quality in any significant amount in his own being. This revelation probably led Weininger to kill himself, just a month after the publication of his book. Very likely, he had managed to understand what his book was all about. Often the other person only makes us realize the ugly and mean features we have in ourselves. This explains why the most rabid anti-Semites are found among the Jews.

For only the completely Jewish Jews, like the totally Aryan Aryans, have no antisemitic disposition whatsoever.

After all, women commit suicide on a much smaller scale than men and when they allen,ihatemyself* - Good Bye Lo_Fi get the gall to kill themselves they very rarely do it in a violent fashion that involves using a gun.

I could not sleep. Then I heard a barking dog. I have never hard a dog bark in such a terrifying way. It must have been a black dog. It was the evil spirit.

I fought with it, I fought with it for my soul. In sheer terror I bit the sheets to shreds that night. Since that time I have known that I am a murderer. That is why I must kill myself! Notably, a barking dog can be heard in Nagler's film just before Weininger collapses and prepares to put a bullet in his brain, as if a hound of hell has commanded the philosopher to seek self-obliteration. What it has lost is the I, self worth, freedom The dog has a remarkably deep connection to death.

At the beginning of the film, we see Weininger in a rather dark and dreary room featuring a desk with a menorah with lit candles and a large open Talmud, as if to allude that the philosopher was never far from his ancestral religion, especially when he was trapped in his deepest and darkest of thoughts.

There is to be no rending of clothes and no eulogy. But people should line up for him [at the end of the burial ceremony] and the mourner's blessing should be recited [as the family passes through] out of respect for the living. The general rule is: Whatever rites are [normally] performed for the benefit of the survivors should be observed; whatever is [normally] done out of respect for the dead should not be observed.

By featuring a scene with a Hebraic harlot with nice tits covered in a religious object that is strictly worn by Jewish males, Nagler is probably alluding to the inherent misogynistic traditions Bazaar (Official Sunburn Goa 2015 Anthem) - Various - Ibiza Mix + Caribe Mix Judaism and how Weininger might have, somewhat ironically, inherited some of his attitudes regarding women from his ancestral faith.

While his Hebrewess goddess would probably be somewhat alluring to most heterosexual males, Weininger would clearly be horrified by this lecherous lady who seems like she might suffer from vagina dentata.

And everything that I created, I created it for you. Be careful not to spoil or destroy my world—for if you do, there will be nobody after you to repair it.

He has just published his first book Sex and Character, and has yet to witness an acknowledgment of his self-assured genius. Even the greatest of Jewish tinkers is no more than talented. Myself for instance. I think there is some truth in my idea that I really only think reproductively. Notably, in the second book of his two-volume magnum opus Der Untergang des Abendlandes Deep Shit - The Elektrocution - Vagina Dentata - A Trip To The Depths Of The Unknown The Decline of the WestOswald Spengler—a Prussian nationalist of sorts that also heavily influenced Wittgenstein—was careful to separate Weininger from the tradition of Occidental philosophy and instead designated him as one of the three great saints of Jewish mysticism following Baruch Spinoza and Baal Shem.

Something of the sort Russians may be able to experience, but neither the Classical nor the Faustian soul is capable of it. After watching The Sex of Self-HatredI have to say that it is probably impossible to fully appreciate the film if you are not already familiar with Weininger's writings and lonely and Off The Corner - Sisqo - Return Of Dragon yet nonetheless rather remarkable and singular life.

While Weininger was indubitably the most famous and intellectually gifted of the so-called self-loathing Jews of his time in fact, his case has been studied by various Jewish thinkers ranging from philosopher Theodor Lessing to child psychologist Bruno Bettelheimhe certainly was not the only Jew that suffered from a sort of spiritually schizophrenic metaphysical affliction.

The spirit of modernity is Jewish, wherever one looks at it. Our age is not only the most Jewish, but also the most effeminate of all ages; an age in which art only provides a sudarium for its moods and which has derived the artistic urge in humans from the games played by animals; an age of the most credulous anarchism, an age without any appreciation of the state and law, an age of species ethic, an age of the shallowest of all imaginable interpretations of history historical materialisman age of capitalism and Marxism, an age for Deep Shit - The Elektrocution - Vagina Dentata - A Trip To The Depths Of The Unknown history, life, science, everything, has become nothing but economics and technology; an age that has declared genius to be a form of madness, but which no longer has one great artist or one great philosopher, an age that is most devoid of originality, but which chases most frantically after originality; an age that has replaced the idea of virginity with the cult of the demivierge.

This age also has the distinction of being the first to have not only affirmed and worshiped Deep Shit - The Elektrocution - Vagina Dentata - A Trip To The Depths Of The Unknown intercourse, but to have practically made it a duty, not as a way of achieving oblivion, as the Romans or Greeks did in their bacchanals, but in order to find itself and to give its own dreariness a meaning.

The good and the true and the beautiful is eternally young. That was also what Wagner knew as his own incompleteness; he was Wotan. Siegfried and Parsifal have not yet appeared. The completely good man Jesus has to die young. As the above quote from Sex and Character also proves, Weininger was alarmingly prophetic to the point where one suspects that one of the reasons he committed suicide was because he could not bear to see where the world was headed.

Indeed, Billy Strange - Dancing Hits Of 65 is a true sign that we live in pre apocalyptic times when a modern-day Sodom known as Hollywood regularly defecates out films where grotesque overweight heebs like Seth Rogen and Deep Shit - The Elektrocution - Vagina Dentata - A Trip To The Depths Of The Unknown Hill Feldstein discuss important things like their friends' cocks and scheme to find ridiculously craven means to get in the unkosher panties of unwitting drunken blonde shiksa skanks.

Of course, a world as culturally corrosive and decidedly degrading as the one where sapless scatological schmucks like Rogen and Feldstein are famous could not produce a Weininger, thus underscoring the importance of a film like The Dame Una Alegría - Fran Perea - La Chica De La Habitación De Al Lado of Self-Hatred where a genius of the past is given new life in an era when his theories are needed most.

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